Alessandra Dieffe
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→ Catalog Arte Laguna Prize 11th Edition, 2017
→ International Contemporary MASTER XIII, WorldWide ArtBooks, 2019
→ ART RETREAT – Living with pictures vol.6, 2020/2021, publisher Gabriele Walter - “Enter into Art”
→ Catalog Arte Moderna n.° 55, Editoriale Giorgio Mondadori, 2020
→ Catalog XIII Florence Biennale “Eternal Feminine Eternal Change” Editoriale Giorgio Mondadori, 2021
→ Spotlight Contemporary Magazine n. 32, 2021, publisher Circle Foundation for the Arts
→ Excellent Art Exzellente Kunst Enter into art - LOUNGE 3 – 2022
→ Spotlight Contemporary Magazine n° 34, 2023, publisher Circle Foundation for the Arts
→ Women United Art Magazine special edition 2023
→ Women United Art Magazine ISSUE II 2023
→ Women United Art Magazine ISSUE IV 2023
→ Women United Art Magazine ISSUE V 2023
→ Spotlight Contemporary Magazine n°36 2024 publisher Circle Foundation for the Arts
→ Spotlight Contemporary Magazine n°38 2024 publisher Circle Foundation for the Arts
→ Excellent Art Exzellente Kunst Enter into Art – LOUNGE 3/4 – 2024
→ Women United Art Magazine special edition 2024
→ Women United Art MAGAZINE ISSUE VII Spring 2024
→ Poetry of Travel- Poesie des Reisens (in memory of Paul Klee) Enter into Art 2024
→ Vincent van Gogh Tribute Book, published by Contemporary Art Station 2024
→ Art Loving Magazine, February 2024
→ Art book “Art Chateau”, vol. 1
→ Catalogo Arte Genova 2025, Mega Art Gallery
→ Women United Art MAGAZINE ISSUE IX 2025
→ Exhibit Catalog Stronger Together Winter 2025, Women United Art Movement
→ Art book “Art Chateau” 2025, vol. 2
→ El Greco Book, published by Contemporary Art Station 2024 – ICM Gestora Cultural SL
→ Women United Art MAGAZINE ISSUE XII 2025
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→ 11th Arte Laguna Prize Group Exhibition, Venice, Italy, 2017
→ Group exhibition "Mai le spalle", Zerouno Cultural Centre, Barletta, Italy, 2019
→ Group exhibition "Padiglione Europa", Palazzo Albrizzi Capello, Venice, Italy, 2019
→ Group exhibition "The 5th AUTUMNAL" curated by Arthouse Gallery NYC, New York City, United States, 2019
→ Sprung 4 at Big Screen Plaza NYC curated by Arthouse Gallery NYC, New York City, United States, 2020
→ Biennale dei Normanni Biennals, Monreale, Italy 2020
→ Group Exhibition “Arte in Vetrina”, Art Commission Events, Genoa, Italy, 2020
→ XIII Florence Biennale - “Eternal Feminine Eternal Change”, Biennal at Fortezza da Basso, Florence, Italy, 2021
→ Digital Group Exhibition during Art Basel 2023 curated by Art Screen TV at Galerie du Marché Prestige, Montreux, Switzerland
→ Group Exhibition “Flash of Color” third edition at Wikiarte Gallery, Bologna, Italy, 2024
→ Group Exhibition “Balance” curated by Arthouse Gallery NYC, New York City, United States, 2024
→ Digital Group Exhibition during Art Basel 2024 curated by Art Screen TV, Basel, Switzerland
→ The 10th Annual Fall Exhibition curated by Arthouse Gallery NYC, New York City, United States, 2024
→ Arte Genova 2025, Group Exhibition curated by Mega Art Gallery
→ Madrid Station Group Exhibition curated by Contemporary Art Station, Madrid, Spain, 2025
→ Group Exhibition “Flow” curated by Arthouse NYC, New York City, United States, 2025
→ “Quando l’opera d’arte ci parla” International Group exhibition, curated by Mega Art Gallery, Galleria Il Leone, Roma, Italy
→ “Ritorno a Palazzo” International Art Prize, Group Exhibition, SpazioB – Palazzo Sanseverino, Vigevano, Italy, 2025
→ Group exhibition “Light #3” curated by Arthouse NYC, New York City, United States, 2025
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→ The first Prize in the book project and contest “Excellent Art Exzellente Kunst” 2022, Lounge 3
→ Special Recognition, “Patterns, Texture & Forms” Art Exhibition 2022 curated by LightSpace Time online Art Gallery, Photo and Digital Category
→ Women United Art Prize 2022, Category Digital Art, 4th - 10th place finalists
→ Women United Art Prize 2023, Category Digital Art, 4th - 10th place finalists
→ The spotlight in the Women United ART MAGAZINE – ISSUE XII Autumn 2025 curated by Mona Lerch
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Alessandra Dieffe is the pseudonym chosen by this artist who lives in Pescara and expresses herself through digital art. She graduated in sociology with a thesis focused on the seventh art and in 1988 she attended a drawing course with the painter Sandro Visca, to dedicate herself to an ancient passion. He continued as a self-taught artist and discovered the many expressive possibilities offered by digital art, when she obtained an annual master's degree from the University of Florence, focused on new technologies.
Her debut in the art world took place in 2017 when she participated as a finalist in the Arte Laguna 16.17 Award, exhibiting at the TIM Future Centre in Venice, subsequent exhibitions including the XIII Florence Biennale, year 2021, Flash of color in Bologna, year 2024, at the Wikiarte Gallery, Ritorno aPalazzo in Vigevano, Spaziob - Palazzo Sanseverino, year 2025 and those in New York City curated by Arthouse.NYC.
Her works have been included in various catalogues, in the publishing projects “Enter into Art” from editor Gabriele Walter, in several issues of Women United ART MAGAZINE and in the editorial projects published by ICM Gestora Cultural. In 2024, she donated the piece Omaggio a Ken Loach to the audiovisual language training project Piccolo Cinema Ken Loach in Mesagne, Salento, which became the logo for this unique movie theatre.
Dieffe’s art is deeply rooted in cinematic storytelling, capturing iconic faces, poised bodies, and significant moments from films. Each piece begins with a pencil sketch, which is then transformed digitally, allowing her to refine and expand her visual language.
Works like “Anna M. in Compagnia di un Gatto” and “La Fanciulla e l’Ape” exemplify this approach. In “Anna M. in Compagnia di un Gatto” (Digital Art, 72 x 96 cm), the bold red gown and poised figure of the central character exude an air of drama and elegance, framed by curtains that open to reveal a cinematic cityscape.
Meanwhile, “La Fanciulla e l’Ape” (Digital Art, 72 x 96 cm) juxtaposes soft, warm hues with the intricate patterns of a bee in the backdrop, creating a narrative interplay between intimacy and surrealism. Dieffe’s meticulous attention to color, composition, and texture echoes the aesthetic sensibilities of Pop Art while remaining firmly grounded in the narrative richness of cinema.
Analyzing Dieffe’s technique reveals a masterful synthesis of traditional and digital methodologies. Her use of flat, vibrant planes of color and stylized forms pays homage to classic film posters, while her digital precision allows for an innovative exploration of detail and layering. This duality situates her within a contemporary context, where the boundaries between mediums are increasingly fluid. The influence of cinematic photography is palpable in her compositions. Yet, Dieffe’s reinterpretation of these visual motifs imbues them with a unique, personal perspective.
What sets Alessandra Dieffe apart in the contemporary art landscape is her ability to translate the evocative power of film into static imagery that feels alive. Her works do not merely pay tribute to the seventh art but expand its visual language, offering audiences a space to reflect on the cultural and emotional resonance of cinema. By combining the meticulous craftsmanship of traditional art with the expansive possibilities of digital media, Dieffe creates pieces that are both timeless and deeply relevant, capturing the beauty and intensity of human experience.
