Eleha Carenzal
-
→ Her journey is also featured in several art catalogues, reflecting her influence and recognition within the artistic community.
-
A Journey Marked by Numerous Exhibitions
Recognized for her rich and distinctive work, Eleha CARENZAL has exhibited her art both in France and internationally, through solo and group exhibitions. Her works have been presented in prestigious venues such as:
→ Maison Rochegude, Albi – 2023
→ Chapelle des Dominicaines, Carcassonne – 2023
→ Brussels Art Fair – 2023
→ Monat Gallery – Madrid, 2024
→ Venice Biennale – Palazzo Revedin, 2024
→ Galerie Blanco – Colima, Mexico, 2024
→ ARTIO ART GALLERY – New York, 2024
→ Women Essence – Barcelona, 2024
→ Galerie Etienne de Causant – Paris, 2024
→ Galerie Tilde – Palermo, 2024
→ Art 3F Fair – Toulouse, 2025
→ Art Is Meeting – Knokke, Grand Casino Belgium, August 2025 – Upcoming
Eleha Carenzal also participated in the Journées du Patrimoine (Heritage Days) organized by ArtVistar in Albi in 2019, 2022, and 2023, highlighting her commitment to sharing her art with the general public
-
→ Her work was honored with a Certificate of Merit from the Luxembourg Art Prize in 2019, highlighting the depth and originality of her artistic approach.
-
Eleha Carenzal is a French medium artist in the field of contemporary art represented internationally.
His paintings are deeply symbolic and vibrant, capable of transporting and questioning observers.
It displays a unique singularity, similar to the signature of an explorer sailing into the invisible manifested between shadows and light.
A strong sense of spirituality permeates his art so painting becomes both a source that nourishes his soul and a bringing to the world of the Invisible manifested. Creation imposes itself with force on its initiatory path as a bridge connecting the kingdoms of heaven and earth.
Each of Eleha Carenzal’s works represents a new vibrant and animated page of consciousness pushing the limits of time and space to reveal parallel worlds and sacralized characters.
She uses living and noble materials; pigments, marble powder, walnut broom, vegetable inks that she meditatively binds. The interaction of colors and forms results in a symbolic representation of the present moment crossed by a modified state of consciousness in connection with its principle of mediumship thus delivering a vibrant message that resonates in our soul .
The story becomes an integral part of this magical moment that allows us to connect with the alchemy in play, to listen to it sublimate .
Eleha Carenzal is a perpetual researcher exploring the invisible fields opening an incredible artistic bridge related to art brut her approach being spontaneous and guided .Through a practice where lyrical abstraction meets echoes of the sacred, the artist explores the subtle territories of memory, breath, and presence. Each painting becomes a space of silence crossed by light — an inner landscape where matter transforms into veil, transparency, vibration.
Born from an intuitive and meditative gesture, the work unfolds through deep listening: to forms emerging from the invisible, to colors whispering the moment. Faces, silhouettes, or energies sometimes appear, like fleeting apparitions from another realm. The painting then becomes a passage, a threshold, an offering. It reveals what connects, what unites, what transcends.
Ancient myths, living nature, forgotten traditions, and altered states of consciousness all nourish this exploration. More than a visual language, painting here becomes a ritual, a journey, a space of transformation where the visible and the invisible merge into a single breath.
My artistic practice is born from an instinctive, almost primitive impulse — a need to create that goes beyond the will, an inner urgency that crosses the gesture. Far from conventions, I let the forms, symbols, figures come without trying to control them, as if they were revealing themselves from elsewhere.
My work is part of an intuitive and mediumistic creation, carried by altered states of consciousness. I explore these invisible zones, these spaces between the real and the unknown, where presences emerge — faces, bodies, signs — imbued with sacredness. It is not a question of representing, but of embodying, of making happen.
I use natural and living materials — vegetable inks, pigments, marble powder — that resonate with the spontaneous gesture, the unexpected, the ritual. Each work becomes a passage ground, a skin of vibrant paper where memories, voices, silences are printed. There, in this back and forth between inside and outside, art becomes an offering, an act of reliance.
