Ivan Kanchev


Ivan Kanchev was born on 17 September 1973 in Ruse. In 2000 he graduated in Ceramics from the National Academy of Arts in Sofia, and in 2006 - in Psychology from the Angel Kanchev University in Ruse. He defended his doctoral thesis in art history and fine arts at the Department of Sculpture.

In 2010-2011 he was a lecturer in sculpture at the Department of Ceramics of the National Academy of Arts. Ivan has had dozens of solo exhibitions of his works and participated in many group exhibitions in Bulgaria and in prestigious forums in Italy, Spain, Japan, Poland, Denmark, France, Belgium, Slovenia, Greece, Switzerland, China, Austria, Germany, Portugal, Hungary, Croatia, Czech Republic, Canada, USA, etc.

He has won over 50 national and international awards (Art of Unity Creative Award, New York (2021); GOLD LIST Special Edition - The best contemporary artists of today (2021), 2022); "Donatello Award" (Florence, Italy) of the EFETO ARTE Foundation (2023), "Lorenzo the Magnificent Award" of the XIV FLORENCE BIENNALE 2023, Award of the MUSEUM OF THE AMERICAS - MOA 2023, "ATIM's Top 60 Masters'' International Award (2024).

His works are in prestigious galleries and museums worldwide. In addition, he is the author of curatorial projects and several books on sculpture and ceramics. He has been featured in numerous prestigious books and contemporary art magazines (GOLD LIST, Art Market Magazine, The Woven Tale Press, Ceramics Now, Al-Tiba9, Aesthetica, CONTEMPORARY ART CURATORS, etc.). He currently teaches at the Department of Sculpture at the National Academy of Arts in Sofia.

I try to create new synthetic forms with original language and technique of expression.

In search of a new universality and the total work, I assimilate different epochs (from prehistory to the contemporary) and different types of art (painting, sculpture, installation, ceramics, graphics, drawing, mosaic, stained glass, architecture, photography...).

In a global perspective I present the development of civilization with its contradictions in social, political and philosophical terms. At the center is the small, naked and defenseless man who is searching for happiness. At the base is prehistory - with its universal principles. The vessel viewed in the broadest sense. The vessel with its universal form, which collects and conserves...

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