Amartya
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→ 50 Talent Masters to Collect October 2025 by Effetto D’Arte
→ Light and Darkness XV Biennale Florence
→ The New Protagonists of Contemporary Art 2025 curated by Salvatore and Francesco Russo
→ Masterful Minds #8
→ Masters Artists to Collect June 2025 by Effetto D’Arte
→ Masters Artists to Collect Artbook Issue #2
→ Masterful Minds #7
→ Masterful Minds #4
→ Masterful Minds #2
→ Spotlight Magazine Circle Foundation for the Arts #36
→ Art for Any Magazine #18
→ International Contemporary Artists Catalog 2025
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→ XV Biennale Florence October 2025
→ Casa del Arte Palma February 2025
→ Swiss Art Expo Zurich August 2025
→ Casa del Arte Palma December 2024
→ Andakulova Gallery Dubai November 2024
→ ArtExpo Paris Galerie Agnes Nord October 2024
→ EuropeArtFair Amsterdam September 2024
→ Swiss ArtExpo Zurich August 2024
→ World Art Dubai May 2024
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→ 7th International Prize Leonardo da Vinci June 2025
→ International Prize The Great New Masters New York April 2025
→ Masterful Mind Award by Circle Foundation for the Arts February 2025
→ The New Protagonists of Contemporary Art Award Saint Paul de Vence September 2025
→ Certificate of Artistic Achievement Luxembourg Art Prize 2025
→ Certificate of Artistic Achievement Luxembourg Art Prize 2024
→ Certificate of Artistic Achievement Luxembourg Art Prize 2023
→ Certificate of Artistic Achievement Luxembourg Art Prize 2022
→ Circle Foundation for the Arts Honorable Mention Artist of the Month October 2025
→ Creative Excellence Award May 2024 Circle Foundation for the Arts 8th International Award Artists of the Month
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Instagram:
→@amartya.art
Amartya (Joëlle Zioga) is a self‑taught artist whose work inhabits the threshold between the tangible and the transcendent. A vivid dream of her late father inspired her to embrace the name Amartya—Hindi for “One Who Never Dies”—marking the start of a deeply personal artistic quest. Trained in Social and Political Sciences at the University of Lausanne, she blends philosophical inquiry with vivid dream‑inspired visions.
My work explores time as a lived and emotional experience rather than a linear progression. I am interested in how time expands and compresses through memory and dreaming, creating spaces where past, present and future quietly overlap.
Time in this context becomes a material itself - one that holds uncertainty while still allowing transformation. In this sense, my approach reflects an ongoing inquiry into how painting can hold time, dreams, and hope simultaneously, creating spaces where quiet endurance and imagination coexist.
