Margaretha Gubernale


MARGARETHA GUBERNALE was born in Zug, Switzerland, in 1941. As a little girl, she imitated her father, a master baker and confectioner, in his shop. as he garnished cakes. When she graduated from the state business school, which emphasized general education, she was primarily interested in painting and used her pocket money to buy art prints by Chagall, Delacroix, Dali, Picasso and Munch, etc. and use them to wallpaper the ceiling and pay for organ lessons. She married Calogero, a captain from Sicily. She has two adult children, Mario and Helena.

At the time of the birth of a new building law and the organization and construction of the national roads to Ticino, she worked as a clerk for a National Council and his secretary of law. When she was young, her parents gave her a room, which she converted into a gallery where she exhibited alongside other visual artists, including the teacher at the Basel School of Applied Arts. She learned a lot from these artists. However, her work was denounced en masse in the local newspapers by the “art bishops” of Zug, as they vehemently advocated abstractism at the time and would not allow anything else. So began her odyssey with exhibitions abroad. In the meantime, her husband died and she has lived alone for 23 years, solely because of her art.

Even in her early works, Margaretha Gubernale was looking for a way to reach everyone in the world with her thoughts, which she only achieved with a figurative representation, because through abstract painting Christ and salami appeared in one picture and only confirmed the viewer's thoughts. Her painting could not be limited to figurative painting, but she also did not want to be inferior to the freedom of abstract painting. She considered the surreal style but felt it didn't fully achieve her intended effect. So, she looked for a solution, which she found in Symbolism.

Here she can represent her thoughts figuratively and extend this form metaphysically beyond herself in a parable, thus breaking all narrative boundaries, weaving in abstract and surrealistic elements and reaching every thinking person in his soul with the help of colour and form, provided he is of good will to connect the earth with the spiritual sky and to give priority to ethics. She learns a lot from nature and feels the divine within her, which inspires her. She prefers the colour blue as a spiritual colour and often addresses philosophical and magical topics. For them, blue is the air as an incentive for fire and has three physical states: dry, rainy and icy and expands as a continuation of light.

Margaretha Gubernale was looking for a way of representation with which she could harmoniously bring together physical and spiritual ideas in a figurative and symbolic form. With this style she allows the message of her metaphysical parables to be expanded beyond all limits. To do this, she simultaneously uses surrealistic and abstract as well as figurative elements to connect everything on earth with heaven. Therefore, she likes to use the pure and airy colour blue in many facets of feeling and intellect. In addition, her artistic work contains technical elements insofar as they help to underline the main idea. The sources of her images are nature, philosophy and music.

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