Libuše Dlabola Pražáková
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2025
→ Lust Collection Lust for life, Galerie Zdeněk Sklenář
2023
→ Tobě, Oblastní galerie Liberec (1. 6. 2023 - 15. 10. 2023)
→ Moje místo ve tvém světě, Krajská galerie Zlín (30. 5. 2023 - 20. 8. 2023)
→ Severní prostor. Prostor pro dialog, Dlabola Pražáková, Hušková, Měřička, Novák, Plesl, Švecová, Véla, Nisa Factory, Jablonec nad Nisou (21. 4. - 31. 8. 2023)
2022
→ Tobě, Libuše Pražáková, Lucie Švitorková, Muzeum a Pojizerská galerie v Semilech
2021
→ Na konci vše dobře dopadne. A pokud to dobře nedopadlo, tak to potom znamená, že to ještě není konec, Galerie Jáma 10, Ostrava
→ Podle tebe, Jatka 78, Praha
→ Moments Of Maternity, Annenkapelle Gorlitz, Německo
→ Tobě, Galerie Morzin, Vrchlabí
2020
→ Grenzraum knüpft Verbindungen, Evropský parlament, Brusel, Belgie
2019
→ Zapomenuté pláně, Galerie Detesk, Železný brod
2018
→ 100 let naší republiky, Svatopluk Klimeš, Libuše Pražáková, Markéta Myšková, Galerie Pošta, Dubá
→ Příběh koně, Svatopluk Klimeš, Libuše Pražáková, Galerie Josefa Jíry, Malá Skála
→ Podle Tebe, Photogether gallery Zlín
2017
→ Bumerang 7, Lubljana, Slovinsko
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(Born 1984) is a painter and sculptor who studied at František Kowolowský at Faculty of Fine Arts and Music of University of Ostrava (2008—2014). In 2012, she participated in a internship programme at Hochschule fur Bildene Kunste, Dresden, Germany, where she studied painting and graphics.
Her artworks have been exhibited both in the Czech Republic and abroad (Krajská galerie Zlín, Jatka 78 Praha, Annenkapelle Görlitz, the European Parliament in Brussels). Her works are represented in public and private collections. She lives and works in Semily and is a mother of two exceptional sons.
In my painting work, I return to the quiet touches of everydayness - the fabric, the color, the fragments that carry the memory. In recent images, I have sewn the remnants of textiles into canvases, personal relics that bear the imprint of a relationship, care, and vulnerability. These are subtle gestures, sometimes barely noticeable but charged with internal tension - like trying to hold on to something that's escaping.
For me, the material becomes both an extension of body and memory - a place where images are not only created with a brush, but also with thread, with the rhythm of hands, with repetition. It's a painting as a form of detention, as a space where you can at least hold something together for a while.
