Natalie Egger


Natalie Egger, multi-award winning Austrian artist, graduated from the University of Applied Arts Vienna, is actively engaged in the fields of photography, digital art & visual arts. Her creative journey unfolds in the vibrant city of Vienna, where she resides and diligently hones her craft.

Natalie has experimented with various artistic media, but two particular mediums hold her current fascination: photography and digital art on one hand, and acrylic painting (mostly on canvas) and pencil drawing on the other. In her digital art and photography, she captures close-ups of random subjects encountered during her urban explorations or travels.

These serendipitous encounters become snapshots, which she later consciously deconstructs through the fusion of two to four photographs, often incorporating her pencil drawings. This transformative process yields entirely new digital creations, reimagining her original photographs in fresh and unexpected ways.

Natalie's acrylic paintings and pencil drawings reflect her deep fascination with the human face and body, as well as their myriad expressions. Her sources of inspiration include dance, performance theatre, and fashion.

The artist has exhibited her work in several group exhibitions online, at museums, galleries and art fairs in Austria, Italy, Spain, France, UK, USA, China, Korea, Greece, Switzerland and Kazakhstan. Her artworks are featured in various art publications and can be admired in private collections in Europe and Asia. Her very first solo exhibition took place in London, UK in July 2024. A limited edition of her second art book, “|pENciL_dRAWinGs|”, was published in March 2025.

My approach to art is a pursuit of creation for its own sake, echoing the principles of l'art pour 'art. The essence lies in the process of artistic creation, with less emphasis on the final outcome. At first glance, viewers may struggle to identify the subjects in my work. I intentionally focus on subjective perspectives, revealing only a fragment of the whole. Consequently, the subjects may appear differently than they would in reality, viewed from a conventional perspective.

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